Part One: The Public Sphere
In visiting Paris last year in pursuit of art I had two specific objectives: an exhibition and a gig., But as I outlined in my walking blog, the journey would be nothing without the unexpected. I thought I’d offer a more focussed look at what art I found, beginning with the art of the street, the public arena where commissioned sculpture, modern and historic, competes with graffiti, architecture, and gardens, to create an admixture, a many-voiced public conversation we call ‘the city’.
Elegy & Memorial
In 2015, in advance of the COP21 climate change conference, France’s state owned national rail commissioned the Angel Bear sculpture from artist Richard Texier, which I encountered in front of the Gard du Nord’s classical facade. According to the Solis Art Conseil:
the 7.5 metres high silhouette seems to disintegrate under the effect of a mysterious evil…the silent cry of the bronze animal captures passers-by to raise awareness of the urgency to act. Air despite its 4.8 tons, the chimera spreads its wings in an attempt to escape, out of the world alreadyhttps://solisartconseil.com/en/notre-serie-de-lete-oeuvres-monumentales-a-paris-lartiste-richard-texier-2/
More memorials of Paris
Pasted on a pillar, letter by letter, one Zebodj Mohamed ‘killed by the police’ remembered alongside a graffiti artist’s memorial to 17 Octobre 1961, the Paris massacre; the Fontaine Molière, a memorial in the 1st arrondisment to the playwright with whose name the French language is sometimes associated, is the work of two sculptors directed by an architect; and tucked away in a park lies a small but powerful memorial to the Shoa survivor, writer and activist Elie Wiesel.
Harvey Milk, the first openly gay person to be elected to public office, and assasinated a year later is memorialised with a Place name, while a street memorial commemorates some of France’s colonial history, the inscription reading ‘A Nos Morts (‘to our dead’) INDOCHINE ALGIERS,
And then there are those big public statements of Paris architecture. My wanderings led me to my first view of the Eiffel Tower, icon of modernity, foreground traffic between us. An outdoor exhibition attracted me from afar, with its colour and shapes, to the Louvre, where I became fascinated by the people, their identities framed against the scene.
In Part Two of this travelogue I’ll take a look at the free open-air exhibition Cabanes Imaginaires autour du monde