In review: Doctor Who 2012 Christmas Prequels
Ah, the Doctor Who Christmas Special, instant tradition invented in 2005 with The brilliant Christmas Invasion, followed each year with variations on traditional Christmas film styles: a midwinter’s journey, from screw-ball comedy via blockbuster disaster and mock epic, to the current mode of romantic and literate sf-fantasy with hints of steam-punk and paganism.
This year, the Doctor Who team revisit Victorian values, in The Snowmen, due for broadcast on Christmas Day at 5.15pm. If two years ago the Doctor played ghost to Scrooge, it seems this time the Doctor himself is cast as an uncommon Scrooge.
Back in November Cardiff revived an aspect of the tradition going back to 2005: the Children in Need prequel to the Christmas special.
The Great Detective.
TX: 16 November 2012
My main problem with this was the arch, knowing humour which plays incongruities for laughs. How Mark Gatiss plays the narrator’s line about the Victorian detective! Inter-textually, this refers to Sherlock of course, thus setting up the punchline: ‘I refer of course – to Madame Vaastraa’. A moderately clever gag lampshaded and rendered excruciating by Gatiss’s unfortunate delivery. A rocky start led to another over egged gag about the henchman Strax
‘whose countenance was too horrible to be photo-graphed’,
which when revealed as a not particularly horrible Sontaran accompanies one of Murray Gold’s musical exclamation marks.
Fortunately this air of beautifully produced but rather forced humour is punctured by the arrival of the ‘fourth member’, the ‘shadowy figure’ of Matt Smith.
I have to say I adore his new Xmas costume, I feel the Doctor looks genuinely ‘cool’, perhaps for the first time since 1979. So I was pleased to read recently Moffat’s comments on costuming the Doctor, signalling a move towards varying the actual clothes while retaining some ineffable essence of this Doctor’s look or style, a reading of the 1970s ‘version of it’.
The Doctor’s melancholy rejection of the gang is well played, and mysteriously finished off by the Doctor disappearing into thin air as he walks off, as if walking through dimensions. Disregarding that, the format and hook of the special is set up in Jenny’s final ‘Merry Christmas’ to him, reminding us that, as has been noted by the Tenth Doctor in 2007, Christmas always seems to be a busy time for the Doctor these days. Something is bound to come up.
Ending on a repeat of the joke about Strax threatening the moon is I presume the rebel in Moffat producing an anti-cliffhanger to rival Barry Lett’s finest.
Pleasingly, there’s a part two.
I loved this sketch’s combination of info-dump and comedy, giving us useful back story, reminding the audience who exactly Jenny, Vastra and Strax are. I watched this with a mate the other day and he loved all the jokes, as did I. TBH the trailer shown an hour or so after the first ‘minisode’ in November didn’t excite me, but I remain intrigued. The Doctor the Widow and the Wardrobe has had an airing to general like this year. Two very different friends of mine watched it recently and both reassessed their formerly low opinion. It’s a grower. Maybe they’ll pull off something even better this year.
But, evil snowmen? Maybe this one’s best watched with child-like eyes. Leave your cynicism at the door, but please don’t forget Strax’s grenade!
Merry Pagan Feast Day everyone.